Painting of a Tongue

Tongue Painting (acrylic and spray paint on 18"x24" panel)

Artist, Illustrator: John Potter

This original painting, titled “Tongue” presents a set of classic wind-up chattering teeth, reimagined with an exaggerated, lolling tongue. The piece belongs to a distinctive series dedicated to the exploration of linear halftones, a specialized technique where structured line systems are used to create tonal shading and depth. As the third major work in this ongoing investigation, it pushes the boundaries of how line can define form and texture.

The composition originated from an earlier sketch that found its perfect resolution within this series. A central aim of the work is to achieve a dynamic equilibrium, where the precision of the custom line work and the boldness of the color palette share equal importance in constructing the final image. This harmonious balance invites the viewer to appreciate both the graphic structure and the chromatic energy simultaneously.

In subject and style, “Tongue” deliberately engages a playful, irreverent, and youthful spirit. It draws intentional inspiration from the raw, expressive vocabulary of street art, channeling its edge and immediacy into a meticulously crafted fine art context. The familiar, humorous toy becomes a vibrant icon, celebrating unspoken expression and kinetic potential.

Technique & Material

Executed on a professional-grade panel, the painting combines the fluidity of acrylic resin spray paint with the deliberate control of brush and airbrush applied acrylics. This hybrid approach allows for both expansive, saturated fields of color and intricate, razor-sharp linework. The artwork is sealed with a high-gloss, clear artist’s resin, resulting in a luminous, candy-like finish that is integral to its visual impact.

This pristine, glass-like surface interacts dynamically with ambient light, creating a depth and vitality that photographs can suggest but not wholly capture. The tactile, polished presence of the original piece is an essential aspect of the viewing experience.

PORTFOLIO GALLERIES

• Illustration work: Start with custom illustration and cover design, then view illustrated maps and architectural renderings.
• Fine art: Discover original paintings and drawings, the Custom Halftone Series, and mural projects.
• Design & motion: Check out the graphic design gallery, then move on to motion graphics and animated illustration.
• Maps by sector: I produce illustrated maps for boat shows, resorts, marinas, real estate, transit & parking, towns & cities, parks, and wayfinding systems.
• More creative services: Additional offerings include cover illustration, vehicle wraps, proposal renderings, and street art.
• Artistic methods: My work spans vector art, isometric & axonometric views, traditional painting, black & white illustration, GeoData mapping, overhead perspectives, and halftone effects.
• Preferred software: I rely on Photoshop, Illustrator, SketchUp Pro, and InDesign, plus Premiere Pro & After Effects for motion projects.